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@ernestoalegre
My week on Twitter 🎉: 1 Mention, 2 Likes, 1 Retweet, 599 Retweet Reach, 1 Reply. See yours with sumall.com/performan… pic.twitter.com/cLtj…
About 6 days ago from Ernesto Alegre's Twitter via TwentyFeet
#ReproduciendoAhora "Argentina" de Thelonious Monk, Clark Terry en @TIDAL tidal.com/track/1045…
About 2 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
#ReproduciendoAhora "Thelonious" de Thelonious Monk en @TIDAL tidal.com/track/1332…
About 2 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
Estoy leyendo Super Graphic: A Visual Guide to the Comic Book Universe en Scribd: scribd.com/book/2399… #ReadMore
About 2 weeks ago from Ernesto Alegre's Twitter via Twitter Web Client
Actors show different brain activity when in character, study finds theguardian.com/scie…
About 2 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
RT @EricIdle @JonTrevithick Love that. Where? Maybe Jonesy’s garden.
About 2 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
My week on Twitter 🎉: 2 Likes, 2 New Followers. See yours with sumall.com/performan… pic.twitter.com/tPLv…
About 2 weeks ago from Ernesto Alegre's Twitter via TwentyFeet
RT @contagious New research from @MarketInvoice finds the UK creative industries waiting on £1bn in late payments at any given time. 48% of invoices being paid late 🙄 pic.twitter.com/l8Tz…
About 2 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
@sr_woof Siempre un discurso “apropiado” en lugar de un discurso propio, suena a speech travestido; y las marcas caen en esto cada 14 minutos...
About 2 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
Aquí una base científica para la popular afirmación de que Dios es argentino: la inflación cósmica.
About 2 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
...y en ciertos casos ni eso... ift.tt/2H6Uxpb pic.twitter.com/LWK9…
TrendsWatch 2018: The Planning Edition – American Alliance of Museums aam-us.org/programs/…
About 2 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
#ReproduciendoAhora "Lullaby for String" de George Gershwin en @TIDAL tidal.com/track/2607…
About 3 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
"Anatomia" by Mark Ryden artsy.net/artwork/ma…
About 3 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
"Second Version of Triptych 1944, (Small Version)" by Francis Bacon artsy.net/artwork/fr…
About 3 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
"Three Studies of the Male Back" by Francis Bacon artsy.net/artwork/fr…
About 3 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
I just liked “Right on Tracks - Just Be You” on #Vimeo: vimeo.com/johnnykell…
I just liked “Right on Tracks - Sit With Someone New” on #Vimeo: vimeo.com/johnnykell…
I just liked “Right on Tracks - It's All Family” on #Vimeo: vimeo.com/johnnykell…
Burgas Public Transportation Map/Diagram Redesign by @r77adder medium.com/p/burgas-…
About 3 weeks ago from Ernesto Alegre's Twitter via Twitter Web Client
Enternecemos a la Naturaleza cada vez que dibujamos un línea recta. Cada animal y cada planta sonríe ante nuestra idea de límite...
About 3 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
"GENERAL "KUNSTCHEF" IST DA!" by Jonathan Meese artsy.net/artwork/jo…
About 3 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
"Gray Interior" by Romare Bearden artsy.net/artwork/ro…
About 3 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
"Spring Way" by Romare Bearden artsy.net/artwork/ro…
About 3 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
My week on Twitter 🎉: 1 Like. See yours with sumall.com/performan… pic.twitter.com/u0Z9…
About 3 weeks ago from Ernesto Alegre's Twitter via TwentyFeet
Matt dixit: twitter.com/observat…
About 3 weeks ago from Ernesto Alegre's Twitter via Twitter for iPhone
#Bilbao nocturna ift.tt/2XxVXOh pic.twitter.com/00Am…
'Centuries of entitlement': Emma Thompson on why she quit Lasseter film theguardian.com/film…
Last month from Ernesto Alegre's Twitter via Twitter for iPhone
My week on Twitter 🎉: 3 Likes, 1 Retweet, 599 Retweet Reach. See yours with sumall.com/performan… pic.twitter.com/Z5XI…
Last month from Ernesto Alegre's Twitter via TwentyFeet
El Balthus de líneas severas, riguroso y de bordes filosos, muere gradualmente al acercarse la década de 1950. Cuanto más reciente la obra, hasta los colores pierden tensión... ift.tt/2VhanAy pic.twitter.com/oQj9…
"Hannes Grebin, Cozy Chair, DE, 2018" by Hannes Grebin artsy.net/artwork/ha…
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
"Figure at Gerard Beach" by Willem de Kooning (mi expresionista abstracto preferido) artsy.net/artwork/wi…
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
¿Qué mejor monumento a la superficialidad que una capa de pintura sobre cualquier monumento?
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
"Jealous Guy (Live at the Bitter End 1971)" de Donny Hathaway deezer.com/track/720…
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
Las manos del Barón Thyssen-Bornemisza, por Lucian Freud ift.tt/2EpKj0A pic.twitter.com/vqhD…
Cualquier discusión en #Argentina se vuelve rápidamente en un pogo con navajas...
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
RT @openculture The Night John Lennon & Yoko Ono Jammed with Frank Zappa at the Fillmore East (1971) openculture.com/?p=1… pic.twitter.com/Ocdc…
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
RT @BypassBazaar Experimental film scores: RT @pitchfork: In the age of endless Spotify playlists, there is a desire to create movies that sound like nothing else p4k.in/D1yiTUV
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
Excelente para un test de Rorschach: "OTHELLO II (NATURAL PAINTING)" by Man Ray artsy.net/artwork/ma…
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
RT @dmedialab Why Media Monetisation Will Never Work twib.in/l/og6xdX7rgG… via @Medium
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
RT @EFF The consequences of wearable tech could expand into the workplace: when employers have access to the data collected, “It’s quite possible there will be effects on whether you are retained, promoted, demoted—who is first to be laid off," says EFF's Lee Tien washingtonpost.com/b…
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
"Trois études pour un autoportrait (after, Three Studies for a Self-Portrait 1983)." by Francis Bacon artsy.net/artwork/fr…
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
""FLITZ DE BÜX"" by Jonathan Meese artsy.net/artwork/jo…
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
"I would take you back" by Mie Olise Kjærgaard artsy.net/artwork/mi…
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
"FORTUNE COVER" by Romare Bearden artsy.net/artwork/ro…
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
"«Existe en el niño una fuerza global […] que lo empuja a crear al ser humano de su tiempo, de su civilización, g... amzn.eu/66zvtld
Comenius dixit bit.ly/2tvAeJf pic.twitter.com/JBML…
My week on Twitter 🎉: 3 Likes, 1 Retweet, 215 Retweet Reach. See yours with sumall.com/performan… pic.twitter.com/cRIS…
About a month ago from Ernesto Alegre's Twitter via TwentyFeet
Designing Welcome Mats to Invite User Privacy | Electronic Frontier Foundation eff.org/deeplinks/20…
About a month ago from Ernesto Alegre's Twitter via Twitter for iPhone
4 weeks ago by ernestoalegre Yo, Arnesto, muy feliz con esta obra que mi gran amiga Chloé me ha dedicado. No cualquiera recibe algo así todos los días...
4 weeks ago by ernestoalegre
4 weeks ago by ernestoalegre El Balthus de líneas severas, riguroso y de bordes filosos, muere gradualmente al acercarse la década de 1950. Cuanto más reciente la obra, hasta los colores pierden tensión...
3 weeks ago by ernestoalegre No son los graffiti más trabajados del mundo, pero el mensaje sí que vale... #bilbao
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